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Fantasy Art Reference Book 1990s Women Sexy Pin Up

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent time in a fine arts museum, chances are you lot know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we learn near art history today still centers on white men from Europe and, later on, the United States. In reality, there are so many more artists of all genders to larn from and capeesh.

Here, nosotros're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its virtually unsung heroes, these women artists all had a manus — and, in some cases, still have a paw — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later on studying the work of painters like Cézanne and Monet while away, she returned to the United States, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female pic characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Art (MoMA)

You might starting time recall of Yoko Ono as a musician and activist, but she's likewise an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art move, earning the nickname the "High Priestess of the Happening".

1 of her most revered works, Cut Piece, was a performance she offset staged in Japan; Ono sat on stage in a dainty arrange and placed scissors in forepart of her, and, in an deed of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't practise it, I offset to choke."

Betye Saar

Betye Saar's Black Girl'due south Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied blueprint and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, part of the trajectory of art history.

Saar was role of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the play a trick on is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, then you lot might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded equally i of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she'south also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Sometime First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more mutual in portraiture writ big in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale skin tones — every bit she was the showtime Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Carmine With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York City. In the 1920s, she was the starting time woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Earth's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Urban center. She used her piece of work to question society, identity, and racial politics by enervating the audition to confront truths about themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her dress.

Shirin Neshat

Shirin Neshat'south poses in front of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to written report fine art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, film, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'southward works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more than notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to enhance awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider higher up — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the primary styles shaping the fine art globe.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop fine art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic piece of work The Dinner Party, her installation pieces oftentimes examine the role of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art programme in the United States.

Augusta Barbarous

Augusta Savage with 1 of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Barbarous Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the offset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just wait up her most famous work, Interior Gyre, and you'll encounter what nosotros mean.) She used her trunk to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal social club.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In add-on to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'south the idea! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of large-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Still, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's terminal public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Nevertheless from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch on Honour at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such equally racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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